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ProdbyJack 99% Mixing & Mastering E-Book The ultimate mixing and mastering rescource for producers and engineers alike, named the “99%” as no matter where you are on the spectrum 1% being an absoloute beginner or 99% with lots of experience this e-book can teach you something new and help you improve in each aspect of mixing. Written by ProdbyJack and MG this book is written by producers for producers, easy to read and full of explanations and pictures chapter by chapter easily interpret the information and apply to your own workflow. Also included are 25 Mix and Master EQ Presets made by ProdbyJack these will work on any version of FL Studio. Please see all the pictures for chapter list and more information as to what you can learn inside the 99% E-book. Links

Focal Press Book Principles of Game Audio & Sound Design PDF Principles of Game Audio and Sound Design  is a comprehensive introduction to the art of sound for games and interactive media using Unity. This accessible guide encompasses both the conceptual challenges of the artform as well as the technical and creative aspects, such as sound design, spatial audio, scripting, implementation and mixing. Beginning with basic techniques, including linear and interactive sound design, before moving on to advanced techniques, such as procedural audio,  Principles of Game Audio and Sound Design  is supplemented by a host of digital resources, including a library of ready-to-use, adaptable scripts. This thorough introduction provides the reader with the skills and tools to combat the potential challenges of game audio independently. Principles of Game Audio and Sound Design  is the perfect primer for beginner- to intermediate-level readers with a basic understanding of audio production and U...

The Oxford Handbook of Critical Concepts in Music Theory PDF Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory....